Wireless PRO Compact Wireless Microphone System with Timecode, 32-bit Float On-board Recording, 2 Lavalier Microphones and Smart Charge Case for Filmmaking and Content Creation

Excellent wireless mic system. I did lose out slightly on this buy, I paid £240, it's now £203. However, you only need to watch broadcast TV news programmes to see how many of these systems are now in use. Mine certainly got me out of trouble when i needed to access the onboard 24 bit recording to replace a poor recording on the camera footage. Well recommended.

Great quality, amazing features. Automatic recording in 32 bit float has saved the day on more than one occasion. Companion software gets better and better. Charging storage extends battery life a lot.

I chose this rather than the DJI because it comes with 2 very good lavalier mics. I can't fault these radios mics. Nice software to make setting up easy. The 32 bit float recording is simple to download and sync in post if it is needed. Just a quick note, if you experience a bit of background white noise from the receiver, it's the camera pre-amp, not the mic. RTFM. If you are using it with a Panasonic HC-X2000, then remove the camera top handle. Works well with a G80 also. If you connect the charge case via USB, then use the short high-speed cable provided.Battery life, sound quality, ease of use, all good.

Amazing, I've dropped it a few times and still works fine.

On the plus side, these mics sound good, look the part and come with a good range of accessories including some decent lapel mics/lavs that can be attached to the wireless transmitters for a more discreet look. They always connect to the receiver without issues and I like how you can hit record on the receiver to start both mics rolling simultaneously. But beware of the terrible Rode software which seems to get more crash-prone with every update. I don't 100% trust I'll be able to lift the transmitters' internal 32-bit recordings from them (you HAVE to use the Rode software to download the files, you can't just plug into your computer) so I always have the receiver recording into a Zoom H5 just in case. Even simple things like deleting individual tracks (the only option is to delete everything) aren't options using the Rode software. They desperately need to sort it because there's nothing "Pro" about it.

In this price point you won't find a better set of wireless microphones imho. I have now used these for a couple of jobs and I think I can accurately review most of the features in an unbiased manner.The 32-bit files are virtually noiseless even when boosted by a great deal to improve extremely quiet audio. The pre-amps in these are fantastic; transparent and virtually noiseless, I can't sing their praises enough.Getting two lav mics in with the kit just makes this the best value for money by far. Are they the best lav mics in the world? No, but they're entirely adequate for most uses outside of high-end production.The range on the TX's is stellar. I've been inside a stone-built church with all the doors closed and got perfect reception from a couple 30m away over the other side fo the churchyard. Delay is minor, a couple hundred miliseconds at worst, but all wireless mics have delay and I record a safety track on my shotgun mic for syncing up in post, so it's a non-issue for me. I haven't noticed any drift in longer recording sessions.One small gripe is that I would have preferred a single carrry case for all the TX, RX, and accessories. As it stands you get two almost idental looking cases, one for storage and charging of the TX/RX, and one for accessories. the box for the TX/RX storage is too big to be easily pocketable, so I don't see why they didn't just make that one bigger and put everything in there. It is a very small gripe and not one worth worrying about if you're well organised anyway.The only thing I don't like about them is the finish on the front of the TX. they are piano black and highly reflective, something I have remedied with some black fabric tape. This only matters if you aren't running a lav mic obviously, but it is something to consider.

Fantastic bit of kit. Just shot some video interviews. The sound quality is amazing and made post production syncing sound file a breeze. Don't hesitate, buy one today... and I'm not one who does reviews normally!!

I’ve been using these professionally at my 9-5 as a videographer, and they’re top of the game.Being able to see and control when a mic is rolling and monitor it on the go is something I didn’t realise I needed in my life.I work in a fast paced sport retailer and we often shoot with various football players on the same day. This has become something that me and my team absolutely love.The 32bit audio is always fantastic to have. Along with the wireless receiver that can input the mic audio straight into the camera to save the hassle of syncing audio in post.Honestly, 10/10 from me and my team!

Let me tell you about this RODE Wireless PRO — I’ve been genuinely excited since the moment I pulled it out of the box. This thing is beautifully engineered from top to bottom. It’s compact, it’s thoughtful, it’s technical in all the right ways, and it feels like it was designed by people who truly understand creators.First: the audio transmission. Stunning.RODE’s Series IV 2.4 GHz digital transmission with 128-bit encryption gives you audio that is clean, stable, and shockingly consistent. No random pops, no dropouts, no weird RF interference — I walked around, moved through rooms, and the signal stayed locked like it was hard-wired. That alone makes it feel high-end.Universal compatibility is a huge win.I love gear that works everywhere, and this system does exactly that:CamerasiPhonesAndroid phonesWindows laptopsMac systemsYou name it, it connects instantly. I love that I can go from a studio camera to a mobile setup without changing my workflow.The technical magic: 32-bit float on-board recording.This is the feature that made me smile like a kid.Over 40 hours of internal 32-bit float recording means this thing captures everything — loud, soft, clipped, whispered — and you can recover the audio in post. That’s a lifesaver. No panic, no ruined takes. I cannot praise this enough.Timecode integration is next-level.This is the type of feature you used to only see on expensive cinema gear.Timecode makes syncing audio in post-production not just easy — it’s automatic. If you shoot multi-camera or fast-paced content, this is a serious advantage. It tightens your entire workflow.And the accessory kit alone feels like a bonus box of joy.The smart charging case is genius — it charges everything together and keeps all the components protected.You also get:Two Lavalier II microphonesEvery cable you needMagnetic mounting clipsA beautifully organized accessory caseIt’s not just “complete” — it feels premium and ready for real production work.The price-to-performance ratio is incredible.For what this system does — 32-bit float, timecode, encryption, multi-device support, premium lavs, magnetic mounting, pro accessories — the value is beyond competitive.This feels like the kind of gear you keep for years because it hits the perfect balance of engineering quality + creator convenience.Bottom Line:This Wireless PRO system is honestly one of the smartest purchases I’ve made. The audio is clean, the features are professional, the workflow is modern, and everything feels thoughtfully built. If you do video, interviews, YouTube, documentary work, or anything requiring reliable audio — this thing is a powerhouse.Highly recommended. I’m genuinely impressed every time I use it.

音量調整しなくても、音割れしないし、本体に録音されるので、カメラに接続しなくても使えます(別途、編集で同期させるひつようはありますが)マイクも2本ついているのでコスパ高い製品です。

Honestly, industry standard for wireless mics. Great sound, and premium design.

muy buenos y llegaron rapido

Why do we need competitors? To make better products!However, the RODE wireless PRO does not have competitors anymore.Battery runtime and recording time gives lots of freedom. The storage box automatically recharges the microphone whenever it is in there!The only flaw I see so far, is the -NOT- ability to change settings remotely.